Over at the Kenyon Review, Jean Yoon gives Ryoko Sekiguchi’s adagio ma non troppo (trans. Lindsay Turner) some serious love:

Sekiguchi’s fragments recall Roland Barthes, Sei Shonagon, Maggie Nelson’s Bluets, and Pessoa’s own pensive, rambling meditations on and in Lisbon in their varyingly brief, aleatoric, digressive, and contemplative qualities. 

Read it here! https://www.kenyonreview.org/reviews/mar-2019-micro-reviews/